Friday, March 3, 2017

Tropes VS Tropes: Best Fantasy Feast




Welcome to the new Tropes VS Tropes series, where we celebrate the tools of fiction and ask ourselves, "who did it best?" As discussed earlier, a trope is a commonly used literary device or plot element that an author uses to call up a quick set of associations in the reader, so that they can build a story more quickly/easily.

Last time I discussed The Plucky Girl Goes on an Adventure (a surprisingly common trope in early children's literature) and then solicited my readers for suggestions for future articles. I got some great ones, which I hope to dive into soon, but one thing I noticed was that all the suggestions tended to be character related, possibly because the examples I gave in that first post were character tropes. But tropes can extend far further, and to give an example, I'm doing one that isn't a character trope at all. Today, we're talking about what (after elaborate clothing) is probably the most favorite thing of every long-winded fantasy writer on the planet. FOOD!!!!

The Fantasy Feast


Image result for game of thrones feastsFull disclosure: I have never read the Song of Fire and Ice books, probably because I am a terrible person, but you know what I DID know? Without ever having read the books or watched the shows, I knew if you Googled "Game of Thrones" and "Feast" the internet would throw down with some awesome photos because in fantasy novels, feasts are serious business.

In speculative fiction, food is one of the main ways that authors worldbuild. You can learn a lot about a culture by what and how they eat. Feasts also provide a chance to see what your fantasy culture is like when it celebrates, plus they provide opportunities for the characters to mingle and have intrigues. They rank right below "the prince is holding a ball and invited all young maidens" for socially crucial events. One does not miss the Feast.

But if you had to attend a feast in a marvelous world, what one should you pick? With so many to choose from, I have narrowed the list down to four, all coming from children's lit, since that's my area. But I'd love to see someone better versed in the feasting of adults do something similar!

AND THE CANDIDATES ARE!!!!!

Peter Pan: A Special Award for Worst/Most Hilarious Feast

The feast scene isn't one of the more familiar parts of Peter Pan, and I can only think of one adaptation that features it at all - Hook. In it, a now adult Peter joins the lost boys for a feast only to see that there is literally NOTHING adorning the silver platters. As the boys reach for this pile of "nothing" Peter grows more and more frustrated, since they keep insisting there's food in there. This spirals into an argument with their leader, Rufio, and finally, playfully, Peter pretends to dig his spoon into his empty bowl and "throw" some of the nothing at Rufio.

And right at that moment, as he chooses to pretend the food is real, a real glob of florescent whipped cream hits Rufio in the face.

Image result for hook feast
Only a child would find this many shades
of Cool-Whip appetizing.

It's so magical. It's so lovely. It's such a perfect example of how fantasy feasting can paint a world just right. The power of imagination is so potent in Neverland, it literally makes food appear. It's possibly the best fantasy feast ever because it's practically a post-modern fantasy feast where one actually feasts on fantasy.

Except in the book, that isn't how it works at all. In the book, Peter Pan is much more Fey and he actually CAN'T TELL THE DIFFERENCE between when he's only pretending to eat and when he's actually eating. And because they're the same to him, he expects the Lost Boys to treat make-believe food the same as real food and if they don't, he get's angry, because in the book, Peter is a fabulous, tyrannical dictator and Thou Dost Not Tell the Peter there is No Food. Instead, the Lost Boys just go to bed hungry because Peter is insane and oh my gosh, do I love that book.

But I'd much rather go to a feast that I was confident would actually exist.

The Hunger Games

Being about hunger, it's not surprising that food plays a key role in Suzanne's Collins books. When Katniss arrives at the decadent capital, the shallow populace is constantly eating. They eat so much, they make themselves throw-up so they can eat more. Famously, during her audition in front of the judges, they grow bored of watching her and start feasting and she gets so annoyed, she shoots an arrow through the apple of the suckling pig.

Image result for hunger games arrow pig
What is a feast without suckling pig?

The Hunger Games provides a decent example of using feasts to further the plot, whether Katniss is shooting apples or dancing with Plutarch Heavensbee. But overall, Katniss is so judgey of all the feasting, the reader never really wants to attend one . For some reason she finds feasting a bit uncouth when everyone's starving. Really harshes on the awesomeness of feasting.

It's not all bad, though. Katniss does rave about the lamb stew, but I think I'd rather feast somewhere that I don't have to feel terrible about myself for enjoying the food or where an angry rebel might try to shoot me while I eat.

Harry Potter

When Harry arrives at Hogwarts and has his first feast in the Great Hall, I think it's fair to say that all of us go veritably INSANE with joy at the thought of joining in. Everything is either British or magic or both and I think it's fair to say that British food never sounds so good as when J. K. Rowling describes a neglected orphan feasting on it.

Potter is one of those series that has spawned legions of recipes for fans to imitate - from pumpkin pasties, to butterbeer, everyone wants to replicate the Great Hall feasts. Who doesn't want house elves prepping their food and making it appear as if no one needed to order it?

Of course, the underlying house elf tensions that fuel the feasts are a bit uncomfortable come book four, but c'mon. Look at that feast! LOOK AT IT!!!!

Image result for great hall feast
Also: Feasting changes seasonally!
But... I must admit, I don't think this is the best feast out there. It's probably the best location. And it's got some cool foods added from the magic of the world. But most of it is sweets. Where are the main courses that you can only eat in the Potterverse? After you've sampled all the sweets and drank you're Butterbeer, you're going to be kind of jittery and buzzed at the same time, but what about a proper meal? You know, the HEART of a FEAST?????

Redwall


Image result for redwall feastWe all have books from childhood that we can't entirely explain our obsession with. Books that we loved so dearly as kids, but then we start to notice some of the flaws of as we get older. For those who aren't familiar with them, the Redwall books are about mice and moles and otters and hares and badgers and other nice, English animals living in an abbey and... they're sort of monks, maybe?

Every book, they get attacked by evil English animals, like rats and weasels and voles and stouts. Sometimes even cats show up. One character got attacked by a nasty pike. And then they must save Redwall Abbey!

One of my toughest realizations in adolescence was when I came to terms with the fact that every book in the series had essentially the same plot and characters, going through the same motions. But one of the most important repeated elements of these books is that Redwall is not only under attack, it's under siege. Supplies must be managed carefully, because running out of food is not an option. You see, running out of food is the worst thing that could happen to a Redwall mouse, because those animals LIVE for nothing but hardcore FEASTING!!!!

I can't tell you how many times I have wanted to eat the shrimp gumbo that the otters always make so hot, they're crying after. Or Abbot Durral's Seventh Season Cake, which is always shown in meticulous preparation. Or the shrewbread or the salads or EVERYTHING. Redwall food is so vast, there is a Redwall cookbook now, with seasonal recipes, and I cannot tell you how much I want it.

The feasts in Redwall took several chapters - from a character suggesting one, to the preparation, to everyone finally eating, to everyone lounging around in a food coma after. It was amazing! AMAZING!!!! There was a small chance a group of stouts or rats would attack while you were feasting, but this is a small price to pay if it means you get to sample the spring trout.

In many ways, Redwall genuinely was about the feasts. You want to see the mice and their allies save the abbey over and over, because you want them to protect the homey, good feeling about the place. A feeling that is best personified by their intense love of food and sharing it with others. So yes, I genuinely believe that the feasts were a major part of why I loved those books so much.

I might want to live in Hogwarts castle more than I do Redwall Abbey, but even the Potterverse could learn a few things about feasting from these mice. They know what's going on.

BEST FANTASY FEAST GOES TO:

REDWAAAAAAAAAAAAAAAAAAAAALL!!!!

Monday, February 20, 2017

Boys VS Books: Gaston and the Book with No Pictures

A little while ago, I started a new post series centered around the problems facing boys in regards to literacy. I framed the initial discussion around Disney's Beauty and the Beast and how reading is portrayed within that movie. The movie is famous for its positive portrayal of Belle as a modern, forward thinking princess, and that portrayal is driven home through her love of books. But while Belle is constantly shown reading, the men around her all have problematic relationships with books.

If you're interested in reading the earlier discussion, you can find the previous posts in this series here:

1. Boys vs Books: A Tale as Old as Time
2. Boys vs Books: Beating Back Against Busy

Today, we're looking at one of the three male characters Belle attempts to share her love of books with. Today, we have moved on to Gaston.




First off, I love this image. It cracks me up every time. Ahem...

From the perspective of a writer, this is one of the most problematic scenes in the movie. Belle's love of books is used as shorthand to convey her intelligence and independence to the viewer, so it's little surprise that they're similarly used as a tool to show that Gaston is stupid and domineering - the perfect threat when you consider that he fancies himself her suitor.

The domineering aspects of his personality come from the way he steals the book and eventually tosses it into a mud puddle. (I'm not going to argue. This is pretty low.)

The stupid comes from this line:

"How can you read this? There's no pictures!"

HAHAHAHAHAHA!!!! Hilarious! He thought the book should have pictures in it! What does he want? A children's book? Ridiculous!

In all honesty... the line is actually pretty funny. His reaction and his facial expression and his behavior are so oafish. It treads the line between mocking him but also making him a threatening presence. I can see why the filmmakers wrote it this way.

And yet that comment he makes about expecting a book to have pictures plays into some persistent cultural stereotypes about what books are "worthy" of praise and attention and what books are "unworthy." And wouldn't you guess it? The very books the movie is making fun of are among the books that little boys are most likely to find interesting.

I'm talking, of course, about comic books.

Words and Pictures

During my Master's program, I had an excellent professor who taught my foundation course on children's literature. He had a deep appreciation for old books, the history of the discipline, as well as an enthusiasm for what modern writers were doing now in children's literature. More than anyone, I heard him repeat the command to read, read, READ extensively within your genre if you wanted to create work of publishable quality. He also was a remarkable writer and someone whose work I continue to admire. I plan on being just like him when I grow up.

So let's say you want to teach your child to love books as much as he does. What is the foundation on which this enthusiasm for books was based? As it turns out, comics. As a kid, comics were a far more natural love for him than the books he was SUPPOSED to love. During adolescence, he wanted to be a comic book artist when he grew up, not a novelist. Hints of this still exist in his works, such as illustrated chapter titles.

Of course, for his chosen career path, he eventually had to fall in love with honest-to-goodness-pictureless books too, but the transition between an avid comic reader to a literature super fan is not as strange as it might seem on first glance.

During my research for this series of posts, I was struck by the fact that from the perspective of educators, many of the skills that fall under the umbrella of "literacy skills" are things that you can pick up from other forms of art. Skills like the ability to follow and explain a narrative, or the ability to empathize with a character. These skills can even be developed by having thoughtful discussions with your kids about the movies they watch.

But the amazing thing about comic books is that they provide a natural bridge between visual storytelling and text based storytelling. We're used to the notion that younger children use the pictures in their books to get hints at what the text might say. The same holds true with comics, but with the added bonus that the language and storylines have grown more complicated, since they're usually aimed at an older audience. Even if you have someone who has fine reading comprehension, comics might still help with reading engagement, since they provide helps for readers to visualize the world the story is describing.

And yes, an enthusiasm and passion for comics can lead to a passion for books. And vice versa. Yet you still hear things like what my professor once said when he told us, "I didn't read a lot as a kid. I mostly read comics."

Somehow, both those sentences contain the word "read" in them, because comics are a form of reading that doesn't "count." The Ontario School Board, in their work in boys literacy, notes that many boys who are labelled as poor readers often read far more than they think they do, but they don't believe what they do counts as real reading. They don't report that they frequently will read comics, instruction booklets for video games, sports magazines, web pages filled with information about baseball or animals or Minecraft or cars or whatever other hobbies they might have. Children are highly intuitive and they pick up quickly that adults don't place a lot of stock in reading those things. So is it any surprise that they don't value their own achievements in these areas?

The Price of Literary Elitism

To me, the comic book conundrum is symptomatic of larger problems that the book world has around literary elitism. Certain types of books tend to get valued more than others. Disdain for comics and magazines grows as we age to include an ever-increasing array of books. Oddly enough, it tends to smack people in the face along both gender lines. Romance is confined to a "pink ghetto" while science fiction gets treated like the quintessential "bad books for men."

I'll never forget the first writing course I ever took as a naïve undergrad student. My instructor explained the course syllabus and then had all of us introduce ourselves by name, and favorite book. It was the early 2000s, we averaged around 18 years old and you could see the side of his lip twitching as half the class announced their love for Harry Potter. Then he told us all, very flatly, "so you know, we only study literary fiction here. You won't be writing mystery, suspense, romance, science fiction or fantasy. They're all too formulaic. We want you to learn from great writers instead."

No wizards or spaceships. Both far too childish. We weren't to deal in the whiz-bang plots of thrillers, clearly intended only for the uneducated masses. And heaven help us if we wanted to write a story that existed solely to explain how people fall in love!

I can't tell you how much I wanted that writing program to work for me. I'd wanted to study writing my whole life. But sadly, I realized it wouldn't be during my undergrad, because my world of writing couldn't function if it had to be that small. (Incidentally, my main project for that class was a short story that took place during the after-life, and I got an A+ on it because my professor knew so little about speculative fiction, he never realized I'd tricked him into reading paranormal fantasy.)

Sometimes when I think back to that first undergraduate writing course I took, I'm amazed anyone reads at all. Or writes at all. There are so many people who are foaming at the mouth, eager for their chance to tell you that what you're reading is stupid. People who might not know much at all about the books that you love, but are dead certain you shouldn't waste your time on them.

Books! Books for everyone! You get a book! And you! AND YOU!!!!

I'm a firm believer that if we want to increase literacy, it doesn't happen by demanding people like very specific things. In one of my previous posts, I touched on how important it is to meet readers where they are, rather than insist they conform to your tastes. This should also mean NOT belittling what they're interested in.

Now, I'll be the first to admit that incorporating comics and other alternatives to traditional books in education is a balancing act. I'm not here to argue that comics should replace books or that literary fiction be thrown from the curriculum in favor of Harry Potter. What I hope is that they'll be treated more as allies in a common cause.

When I first read Howard's End, a classic novel from 1911, I fell in love so quickly with the text because it reminded me of Peter Pan. Plot-wise, the two books have nothing in common. One is decidedly sillier than the other. But you know what they do share? Time period. They're both Edwardian novels and I realized that part of what I liked about the books was a particular turn of phrase that was in style just before the start of the First World War. Pan prepared me to love a classic novel, and that in turn taught me to be more curious about literature from that whole time period.

The frivolous books of our childhood - the books with pictures - are often preparing and informing our taste in adult literature. And with the sophistication of many graphic novels and comics, they can continue to be an influence, worthy of engagement. It doesn't have to be an either/or.

Rethinking Belle

So like last time with the baker, let's attempt to re-imagine the scene where Gaston steals Belle's book and make it, ummm.... better?

Gaston: How can you read this? There's no pictures!
Belle: Well, there's actually a graphic novel version of The Graveyard Book too, if you're interested in seeing the story illustrated.
Gaston: Belle, that was just an excuse to start talking to you. I'd rather we talked about me now. *throws book into mud*

Look, he's the villain of the story. We can only do so much.

Wednesday, February 1, 2017

La La Land and the Dreaded PG Rating

As awards season takes hold, my interest in the movies can't help but increase. It's enjoyable, watching the press squabble over what deserves to bring home the big trophies and reading the think pieces about whether or not the Academy is "in touch" with the common viewer anymore.

And like a lot of people who don't go to the movies all that often, I definitely use the awards as an indicator of what I might be interested in seeing that I missed during the hectic Christmas season.

That in itself is a juggling act, because I don't tend to like watching too much violence or sex in my movies. So I also spend a lot of time reading over reviews and rating guides, trying to figure out what I'll enjoy and what will send me running out of the theatre, crying like a five-year-old.

You would think it wouldn't be that hard - that some rule like "skip the movies rated R" would work for me, but it really doesn't. It's incredible how much violence - gun violence in particular - can make it into a PG-13 rated film. And similarly, it's confusing to me why a movie that essentially has nothing but a few F words gets slapped with an R. Some of this is my own personal preferences, but I'll take cussing over guns almost any day.

Of course exceptions apply, and this is sort of the point of the whole post - that the rating guides are arbitrary and so are individual tastes, which makes categorizing based on content incredibly difficult. But adding to the trouble is something we don't often think about enough - movie ratings aren't just content indicators, they're audience marketing tools.

La La Land and the Dreaded PG Rating

Which brings us back to awards season - this awards season, to be exact. One of the big, splashy movies that everyone is talking about is La La Land, an old fashioned musical about love, art and the movie industry. It's gorgeously shot and orchestrated, Ryan Gosling and Emma Stone turn in charming performances and the art direction is on point. If you're on the fence about seeing it, I really enjoyed it, so take that for what it's worth.

It's also rated PG-13 for one - literally, only one. I counted - use of the F word in the entire film.

There is no sex or violence, and only mild cussing throughout the rest of the film. If it hadn't been for that one word, it absolutely would have ended up with a PG rating. In fact, the language is so mild in the rest of the film, I half wonder if it could have pulled a G.

So why did they include that word? Did it add to the story? No. Was it particularly funny? Not really. Was it essential to characterization? No, can't say it was. The one purpose it served was raising the rating.

WARNING!!! SOME CONTENT
NOT SUITABLE FOR CHILDREN!!!!
La La Land is far from the only movie to use this sort of ploy. There's a whole slew of animated movies that include one or two jokes that are just a tiny bit racey so that they can get a PG rating instead of G. Did you know Inside Out was rated PG? What an edgy film, amiright?

The reasons for both of these decisions are the same - marketing. Movies have no way of signaling to their potential audience who they are intended for except through the content rating system.

When you go to the bookstore (yes, this IS about books on some level), you generally won't find any content ratings. Maybe the Erotica is shelved separately from the other books, but even then, you don't see a warning notice above it. Your ten-year-old could head into a bookstore at any moment and pick up a copy of 50 Shades of Gray, but they don't generally do that. Why? Well, because it's not in the kid's section.

That's the genius of bookstores. They shelve by audience, not content. If a story can cross-over between two different audiences, it tends to have copies shelved in both, so you'll find Catcher in the Rye both in the YA section and among the literary classics in the adult section. It's also why you'll find Margaret Atwood shelved both in General Fiction and Sci-Fi. She's considered appropriate both for the nerdy and the literary set.

In the absence of a similar ability to "shelve" movies, the rating system has become the next best thing. G = Picture Books, PG = Middle Grade, PG-13 = Young Adult and R = Adult. Or so it seems. If film makers want to communicate that their project is a "Family Film," intended for more than the tiniest of tinies, they tend to think they need a PG or PG-13 rating. In La La Land's case, it wanted to position itself as an adult film, and people are okay with the notion that adults might enjoy something that's also appropriate for teens. That's not TOO babyish, right?

The funny thing about this shelving strategy, is that it becomes all the less logical when books actually get adapted to film. A YA book might come out anywhere on the scale of G (Like Anne of Green Gables) to R (Like Perks of Being a Wallflower). One of the great conundrums of adaptation is that our cultural standards for books and movies are so incredibly different. In books, it's not so much what the story contains, but how it engages the subject matter. Harry Potter is about death, war and racism and is appropriate for your ten-year-old. Wolf by Wolf is about all those same things, and it isn't. But they aren't next to each other in the bookstore, so it doesn't really matter.

You can tell there was real anxiety that La La Land might not draw in its intended audience if it didn't send the signal that it was meant for older viewers. And I do tend to agree with their decision to market the movie to adults. Some older children might like it, but it's not precisely a family film. Tonally, it's appealing to someone else - someone who wants their spinning, happy musical to include a touch of melancholy. So it strikes me as kind of a shame that in order to "shelve" it, they had to include one word that feels oddly dissonant in the rest of the movie.

I'm not sure what a rating system that worked based on audience rather than content would look like. Perhaps people would hate it, since it wouldn't officially "ban" kids from seeing adult movies. But I could go for it. And it might finally end some of the angst film makers have about how many cuss words to use in a movie.

Saturday, January 14, 2017

Who Did it Better? Tropes VS Cliches


Don't you just love trashy magazines? Aren't those fashion sections great, where they line up photos of socialites in the same outfit? What a reputation killer! However, they tend to throw at least one of the poor celebs a bone, by pointing out WHO WORE IT BETTER of the pair.

Okay, so maybe you hate those magazines. I actually am pretty indifferent on the topic. But I'm thinking I might add a similar feature to this blog. Only instead of picking apart character's outfits, we're going to pick apart literary tropes!

But Emily, what IS a trope?

A trope is a common literary device - a narrative element that we've probably seen before, somewhere else. Because we've seen a trope before, it tends to call up memories of the other things we associate with it.

When the trailers for Star Wars: Rogue One came out, I was struck right away by how much they costumed Jyn's character so that she looked like Katniss in the Hunger Games movies.


Image result for rogue one jynImage result for katniss hunger games

While there are clear differences (Jyn doesn't get arrows. It takes a couple movies before Katniss gets a scarf) I'd argue that Jyn's look is directly meant to evoke in us a recollection of what we know about Katniss. Since the Hunger Games came out, this "look" is visual short-hand for a no-nonsense female character who rebels against the rules set by an evil empire.

Katniss herself isn't the first character to be costumed this way, but you could say she "codified" that trope. She provided us with the most obvious, recent and relevant set of meanings to go with that visual palette.

And when tropes work well, that's how they work. They bring up associations, but then tell their own stories using the trope more as a starting point. If you want to read a more thorough discussion of what tropes are and how common they are in fiction/if you want to waste an afternoon or possibly your entire life reading, see tvtropes.org for the most comprehensive list out there.

However, things can go wrong when tropes are used lazily or too frequently and become the most terrible of all literary devices... the cliché!

Very often, the difference between a trope and a cliché is simply how it's done. To reference Star Wars again, Princess Leia starts the first movie a Damsel in Distress, but she goes on to subvert that trope by a) not expecting Luke or Han to save her and b) going on to take her own, proactive role in all the subsequent rebellion efforts. Here, it's a well used trope.


Image result for general organa
General Organa. The best damsel out there.
Still love and miss you, Carrie Fisher.

Contrast that with a movie like Sleeping Beauty where Princess Aurora literally lays there waiting to be saved, and you've got something more like the cliché people groan at when a story features a Damsel in Distress.

The New Feature!!!

And so, like gossip rags over-examine outfits, I'm going to do this to books and other media! Pick a trope, pick a couple books and then argue out who did it best. Who elevated their story beyond the tired and overused paths of fiction, and who fell into the trap of clichéd writing?

To whet your whistle, here's a mini-episode! Today we're doing...

THE PLUCKY LITTLE GIRL GOES ON AN ADVENTURE

Competing for the title of "Best Plucky Girl" we have three young ladies from the realm of classic kidlit! Please welcome to the stage...

ALICE

Image result for alice in wonderland
Alice in Wonderland is arguably the first true children's book ever written in the English language. The only things that predate it are faerie tales and moralistic primers like Goody-Two Shoes which is a story so boring, it created a trope of a very different kind... namely, the boring little girl who does nothing but follow the rules.

Alice is not that girl. Like a lot of people, I knew the Disney movie adaptation from childhood, but it took me years to actually read the book. One of the things I was pleasantly surprised by was how much I liked Alice herself. She's younger than most people remember her, probably only meant to be about 7 years old, and she's odd and funny in all the little ways you expect from a girl that age. She's obsessed with her cat Dinah and keeps offending people in Wonderland by telling them all about how great Dinah is, forgetting she's talking to birds and fish and flowers that Dinah would happily destroy. The whole story is driven by her curiosity and willingness to try things she probably shouldn't, and these qualities in the end shape Wonderland itself. It's one of the few stories where the "it's all just a dream" ending works, because Wonderland itself is a reflection of Alice and her childlike whimsy. Altogether, a solid first entry for the trope.

DOROTHY

Image result for dorothy galeLike Alice, Dorothy Gale is another character that is younger in the book than people tend to remember her, thanks to the movie. Again, you get the sense she's about 7 years old.

The Wizard of Oz holds a special place in my heart, not as the book my parents read to me, but as the book my older sister read aloud to me as a child. It's still one of my favorite children's books. But how does Dorothy herself measure up?

Dorothy is much more reliable and practical than Alice. She's lost in Oz by chance, not by willful curiosity, and she wants nothing more than to return home. I like Dorothy a lot, but she's a bit of a flatter character than Alice.

Incidentally, if we were comparing movies and not books, the win would go to Dorothy. Judy Garland fills the character with such fantastic humanity, and there's a growth and turmoil to Dorothy that you don't see in the book that is present in the movie. So while she loses to Alice here, it could have gone another way so easily. Alas.

BUT WAIT!!! HERE COMES ANOTHER CHALLENGER!!!!

LUCY

Image result for lucy pevensie
It's a little embarrassing how long it took me to finish reading The Chronicles of Narnia. I started the book so many times before getting to the end a few years ago. The reason why was simple. Whenever I read past the first several chapters and hit the section that was less about Lucy, and more about everyone adventuring together, I mourned a little, because Lucy is the freakin' best.

Thanks to being the youngest of four children, Lucy tends to be cast at the correct age and everyone knows her for what she is - a sweet, adorable, curious, loving little girl. She's the best things about Alice and Dorothy rolled into one - willful and curious like Alice, but kind and gentle like Dorothy. She has a strong sense of both justice and wonder. Those first scenes with Mr. Tumnus, and then when she defends herself and what she saw to her siblings are fantastic and speak to such a full, interesting character.

This is the kind of plucky girl you want to see on an adventure. The one that is ready to face both the wonder and peril of the unknown. She's the perfect person to introduce us to Narnia, and the winner of this, the first battle-of-the-tropes.

BEST PLUCKY GIRL: LUCY PEVENSIE!!!!!

And there you have it! If you enjoyed this feature, let me know what tropes you would like to see analyzed. Rest assured, I won't always be so "nice" to the competing books. But I do think these three characters are all decent portrayals, even if one is stronger than the rest.

I've got a few more "episodes" in mind (I almost did a different one as the starting episode, but then realized I had too much to say about it and this would have been an insanely long blog post) but I'd love to analyze some of your suggestions! So sound off in the comments!